Arrangements

Inspired by the Sinatra classic, with both Nelson Riddle and Basie influence. Jazzy yet rich with juicy barbershop chords.

Uncle Kracker song - catchy lyrics.

From the Broadway show, "The Secret Garden". A beautiful, heart-wrenching ballad. Exclusive to Forefrront through International 2017

Beautiful, rangy swing ballad performed by Nat King Cole, Glenn Miller orchestra, and others. Contestable. Available Fall 2016.

From the Broadway show, "Promises Promises". This version was inspired by Kristin Chenoweth's treatment of the song, with splashes of Kurt Elling and Luther Vandross. Heartwrenching ballad. Exclusive to Throwback for as long as they compete with it.

The Phil Collins classic.

From the Broadway show, "Into the Woods". A tongue-in-cheek, melodramatic ode to love. As sung by Voices of California and Artistic License. Will need to be re-cleared.

Heartbreaking Stevie Wonder ballad. As sung by Masterpiece, and recorded on their CD, "Let's Live It Up".

An inspirational Barry Manilow ballad with a great message, talking about not knowing what you had when

Show closer, true to the original Neil Diamond version

Inspired by the Kurt Elling rendition. Soulful, heart-wrenching treatment. I arranged this right after the Boston Marathon bombings of 2013, and the lyrics and treatment seem to capture the essence of that time.

Popular for weddings; written by Don McLean. Inspired by the Harry Connick Jr. version.

Opener medley for the Alexandria Harmonizers

From the Broadway show "Chess". Tells the story of a man's love for his country, no matter which way the political winds may blow.

From the Broadway show, "Big Fish". Tells a story of hope, if you dream big and be the hero of your own story, if you dare. Sung by Music City Chorus in their 2016 International contest performance.

Very different treatment than any others which have been done by other barbershop groups. Features a rangy, lyrical melody singer. Exclusive to Clutch through the end of 2022.

From "Catch Me If You Can"; a musical version of the story from the movie that Frank Sr. tells to Frank Jr. about never giving up. Arranged as dueling solos for a lead and bass. Exclusive to Crossroads until they record it.

A 5-song, 7-min medley including "Does Anybody Really Know What Time It Is", "Just You 'n Me", "Saturday in the Park", "25 or 6 to 4" and "Feelin' Stronger Every Day". Arranged for chorus and a fifth part (small group - high leads / full voice tenors).

A medley of the Lion King classic with a song from the musical "A New Brain" - upbeat, inspirational opener. For the Alexandria Harmonizers through the end of 2020

Anchor song from the Broadway show "Barnum". Provides feature moments for various Circus acts. Arranged for The Alliance's BHS Medalist performance

Song from the Broadway show "Barnum", in the style of the traditional barbershop chorus "band song" uptunes.

Song from the Broadway show "Barnum", in the style of a walking bass line and Dixieland Band. Featured on Tim Waurick's CD, "Tribute".

Based on the Frank Sinatra version. Exclusive through summer 2015

Faithful to the Martha and the Vandellas version, with some Phil Collins, David Bowie/Mick Jaggar influences. Features a driving bass vocal/percussion fusion.

Based on the Sinatra version - a song about heartache and longing. Exclusive to Supertonic through the end of 2020

Song from the Broadway show "Wicked". Feature song for someone with a huge range. Very difficult.

Inspired by Sutton Foster's treatment of the song. Requires very rangy lead in the tag. Arranged for "Taken 4 Granite"; exclusive to them through November 2016.

From Les Miserables - powerful solo sung in the show by Marius, questioning how he was spared when all of his friends were killed in the battle at the barricade.

From Les Miserables - powerful solo sung in the show by Marius, questioning how he was spared when all of his friends were killed in the battle at the barricade. This version is designed for a soloist backed by a chorus.

A tear-jerker about a young man's relationship with his grandfather and the car that they rebuilt together, and how it served as a life lesson.

Part of the Holiday special "Santa Claus is Coming to Town". Sung by Tanta Kringle, explaining how the Kringle family was what the title suggested.

Inspired by Jonathan and Darlene Edwards' version. Arranged with Tim Waurick in mind…tenors, beware! Exclusive to Tim until he records it.

From "Wicked" - contestable version. Lead and Bari featured with melody. As sung by The Core.

Inspired by the Michael Buble version of the song. Swingy, laid-back but relentless.

A <5 min version of the Gaither Vocal Band Medley with longer versions of "When We All Get Together" and "Oh What a Time!", featuring solo opportunities

A <3 min medley with three upbeat songs about going to heaven: "When We All Get Togther With the Lord", "Your First Day in Heaven", and "Oh, What a Time!". Includes an optional "one more time!" final chorus

Haunting song performed by a number of performers, including Frank Sinatra, Diana Krall and Linda Ronstadt (whose version with the Nelson Riddle Orchestra is the inspiration for this chart). Exclusive to Up All Night through July 2015.

Michael Buble original - catchy hook, upbeat and great party song. Exclusive to The Alliance for as long as they compete with it.

Beautiful Beatles song that I couldn't get out of my head until I wrote the chart down. Sung at Joe and Bridgette Cerutti's wedding.

Arranged in the A Cappella barbershop (TTBB) style.  Great, uplifting, upbeat song with sing-along potential for your audiences.  Stays true to the original Phillip Phillips feel.

Stays true to the original Simon and Garfunkel feel.  Suitable for BHS contests (barely, but it satisfies the requirements).

Medley of hits from Huey Lewis and the News. Exclusive to Voices of California

Powerful lyrical ballad from La Cage Aux Follies which speaks of having the courage and conviction to stand up for being different, unique and true to one's self.

Powerful lyrical ballad which speaks of having the courage and conviction to stand up for being different, unique and true to one's self. Kind of a high level mash-up between the songs, as the lyrics flow nicely between the songs. Arranged originally for Voices of Gotham.

Based on the Sinatra version , from Pal Joey. A great Rogers and Hart song.

Based on the Patti Page version, with a small dose of Dean Martin swing feel.

A "rock ballad" treatment of the Ryan Adams / Barbra Streisand ballad from "The Mirror Has Two Faces". As sung by Alliance. May need to be re-cleared through Tresona Music.

An obscure song from the 1930's, sung recently by Maureen McGovern. Cool swingy number.

A swing version of the traditional. Tried to imagine how Michael Buble would sound singing this song. Would work fine in a holiday-themed contest package.

Medley of old-time barbershop songs, intended for a new contest setting.

The Barry Manilow classic - tried to stay as true as possible to endear the chart to Manilow fans. Great, uplifting message. Exclusive to Harmonium for as long as they choose to compete with it.

An upbeat version of this Duke Ellington classic with an ascending chromatic second bridge, leading into a long lead post over the final A section. Also includes a ukelele-inspired intro and a jazz combo interlude. Inspired by Sutton Foster's version of the song. Exclusive to Moonstruck through November 2015.

Jason Mraz song. Exclusive to Moonstruck during their championship year (2015).

Original, "uptune feel" verse with a twist into the Rogers and Hammerstein ballad. Big climax.

Contestable version of the insprirational classic from Man of La Mancha.

From "The Scarlet Pimpernel" - powerful David vs. Goliath, call-to-battle song. Exlcusive to Voices of Gotham through the end of 2015.

Basic, two verse version. Preserves some elements of the Jim Clancy arrangement.

Includes bass feature and third verse. A bit more challenging. Still preserves some elements of the Jim Clancy arrangement.

A medley of songs designed for a Circus-themed package, featuring a number of circus acts musically. Based around "Join the Circus" from Barnum, it also includes a fanfare for the circus band, Entry of the Gladiators, Man on the Flying Trapeze, Baby Elephant Walk, Make 'Em Laugh and Don't Go Into the Lion's Cage Tonight. Exclusive to The Alliance until at least August 2014.

Updated version of the Norma Anderson chart, arranged for The Allies. Would need to be cleared

Great swing era tune performed by all of the standard bearers, past and present. This version is largely inspired by the version sung by Frank Sinatra with the Count Basie Orchestra backing him - hard to find better source material than that!

Beautiful, classic Scottish folk song. Simple approach that calls to mind bagpipes and an escalation as it progresses through the song. Exclusive to Moonstruck through end of 2015

Driving contest uptune based on the Guys and Dolls interpretation, not the Sinatra swing version. Exclusive to the Music City Chorus until they're done using it in contest.

A la Ella. Jazzy swing number with an acrobatic melody and a tenor post in the tag fit for Todd Kidder. Arranged for, ahem, Todd Kidder (and Artistic License). Exclusive to them through July 2017.

Revised from the 1966 arrangement sung by the Louisville Thoroughbreds

Beautiful song from "The Grand Tour". Arranged for good friends as a gift to her mother / his wife (Marianne).

Based on the Michael Buble treatment of this classic 1960's "mood music" ballad.

Based on the Swingle Singers version. Mostly scat / nonsense syllables, but a chance to insert two syllable names for each member of the quartet and the quartet name in the tag

Bass feature, jazz waltz treatment of the holiday classic. Arranged for Matt Gifford of the Musical Island Boys because I wouldn't take no for an answer.

From "Year Without a Santa Claus". Inspired by Big Bad Voodoo Daddy version

First half of a Muppet Show (variety show format) package. Includes the Muppet Show theme, Mahna Mahna, Rainbow Connection, the Swedish Chef Theme and a parody of "Pick a Little". Arranged for The Alliance

Beautiful Rogers and Hart tune from "A Connecticut Yankee". This version inspired by the Frank Sinatra interpretation, backed by Nelson Riddle.

Reimagination of the Peter Pan song, with hints of Kurt Elling.

Part of the Holiday special "Santa Claus is Coming to Town". Sung by Burgermeister Meisterburger, refuting its companion piece.

Beautiful ballad from "Sweeney Todd". Inspired by the Barbra Streisand version of the song. Exclusive to After Hours (2018 International Quartet Champs, BHS) through July 2017

Medley of songs from Mary Poppins / Mary Poppins Returns, telling about the simple joys of believing in yourself and not being afraid to dream.

Song from the Gene Kelly / Frank Sinatra movie, "Take Me Out to the Ballgame". Cool baseball song; old fashioned, 3/4 uptune feel. Lots of fun introducing the double play combination. Exclusive to The Reunion through July 2017.

From "Hunchback of Notre Dame". Exclusive to SoI for as long as they choose to compete with it.

A fun, swingy song with lots of double entrendre moments. Requires an innocent, sincere delivery to make the jokes really work.

Contest uptune medley. Features a number of songs from both the Disney and Broadway versions of Peter Pan. Arranged for Alliance, based on another version of a Peter Pan Medley by Tom Gentry

Inspired by the Rockapella version, complete with voiceover. Bluesy treatment with walking bass line

Inspired by the Rockapella version, complete with voiceover. Bluesy treatment with walking bass line

Inspired by the Broadway version, based on the Disney movie Aladdin. Lots of "character" opportunities in the chart. Heavy, 1930's style swing. Exclusive to Clutch through the 2018 International contest

From "The Producers". Fast (less than 1 min). Funny.

Powerful song from the Broadway Musical Aladdin. A boy talking to his Mother, telling her he's going to make her proud of him.

Contest uptune, inspired by the Michael Crawford / Barbra Streisand treatment. Exclusive to Houston Tidelanders through July 2015

From "Santa Claus is Coming to Town" - a fun song about making a change for the positive in one's life

Great Mel Brooks / Ronny Graham tune which was never recorded, but has become a cult favorite. Tells the story of knights who keep surviving by retreating. As performed by both Up All Night and The Aristocrats (two different versions - please ask if interested to see one/either).

A parody about the mixing and mastering magic of reverb on a recording. Complete with reverb vocal effects - the quartet can create reverb in a live setting!

From "Santa Claus is Coming to Town" - includes all of the background music leading into the show finale

Inspired by the Michael Buble version. Very difficult; may require revoicing for all-men (or all-women) group.

Overture for the Holiday Show, "Santa Claus is Coming to Town".

Contestable version of the 1970's Chicago tune. Lots of the original horn licks in the chart. Arranged originally for ViaVoice

True to the Billy Joel classic. Adapted for the Barbershop Contest stage.

A cappella Earth, Wind and Fire…true to the original song. Exclusive to Musical Island Boys and Vocal FX through end of 2017.

Medley of songs from Sesame Street: Sesame Street Theme, I Love Trash, C is For Cookie, Rubber Ducky, Mah-na Mah-na, Rainbow Connection (yes, I know that's from the Muppet Movie), and ABD-DEF-GHI. Exclusive to Manchester, CT Silk City Chorus through November 2015

Blends the Gershwin and R&H versions of songs, both entitled "Shall We Dance". Swing treatment.

Funny, clever song from "The Drowsy Chaperone" about a leading performer (the lead singer in this case) that doesn't want to "Show Off" any more, while still showing off. Exclusive to Hemidemisemiquaver 4 through the end of 2020

Medley / parody of songs sung by a seniors quartet, about wanting to dance and sing like the young quartets. Exclusive to Port City Sound through the end of 2020

Swing tune performed by Patty Page, Mills Brothers and others. Surprised this hasn't been done more. Arranged for Inside Track as part of a quid pro quo project. Exclusive to them through October 2016.

Beautiful song from "Jekyll & Hyde". Arranged for the Alexandria Harmonizers; exclusive to Alexandria through 2015 International (permission granted to TNS to perform in Las Vegas)

Beautiful song from "Jekyll & Hyde". Arranged for the Alexandria Harmonizers; exclusive to Alexandria through 2015 International (permission granted to TNS to perform in Las Vegas). Shorter version than the one the Harmonizers will sing

Classic Gershwin ballad. Inspired by Linda Ronstadt version with Nelson Riddle orchestra. Exclusive to Downtown Crossing through fall 2014.

Yes, that one. A little Beatle-shop - tries to capture the essence of the Fab Four's treatment. Exclusive to Crossroads through the end of 2017.

Contestable uptune, slightly reimagined. Exclusive to Voices of Gotham for as long as they choose to compete with it.

Cool song by Big Bad Voodoo Daddy. Arranged for Forecast - exclusive to them through the end of 2022.

A new take on the classic contest ballad. Original intro; versions with and without the verse

Contestable update to the classic barbershop ballad

Contest number for the Pittsburgh BHS 2015 International. Parody with lots of BHS-specific lyrics and interpolations.

A Peter Paul and Mary song that tells the story of the Springhill, Nova Scotia mining disaster from 1958. Not a happy-go-lucky song - a powerful change-of-pace number for a show or glow. Exclusive to Capital Chorus through fall 2015.

Inspired by the Kurt Elling rendition. Swingy version with interpolations of "Cheek to Cheek". As sung by Reckless and Da Capo. Available after 2016 International

Based on the Ben Folds version.

From the Broadway show "Spamalot". Wonderfully funny song which pokes fun at "this type of song".

My great-grandfather wrote this song sometime around 1908. I think KIBbers will like this, 'cuz it feels very barbershoppy, but no one's ever heard it.

An old, Western-themed ballad that I found in a stack of old music. Very classic barbershop.

Absolute killer song from SMASH, sung by Megan Hilty's character. Talks about the struggle of thinking you've finally "won the race", only to find out that they "Just keep moving the line".

Based on the Righteous Brothers treatment of the song. Arranged for Musical Island Boys; exclusive to them through the end of 2017.

Parody with lyrics from "Lunch Break". Exclusive to Lunch Break through July 2014; could be updated to the original lyrics for interested groups after that.

Based on Mel Torme version.

Based on a Sammy Davis Jr. performance. Powerful song. One of my earliest arrangements. Willing to update and make contestable.

True to the original version. Exclusive to Throwback through end of 2022

Heart-wrenching Berlin ballad. Lots of 9th and long, soft lead post in tag. Women's version exclusive to Spirit of the Gulf through November 2016

Heart-wrenching Berlin ballads. Uses half of the chorus of "How Deep is the Ocean" as an interlude in When I Lost You. Lots of 9th and long, soft lead post in tag.

A Harry Connick Jr. original song - sounds like a 1940's Christmas standard. New version for 2013 is truer to original.

A la The Drifters (as featured in "Home Alone"). Designed for a quartet or chorus with a low baritone / lead soloist, and a "real bass" / bass section. Lots of opportunities to ham it up for the group

A Sammy Davis Jr. opener-style song with a great, positive, can-do attitude. Also used as part of the UK Paralympics team ads for the 2016 Rio Olympics. Arranged for Reckless; could modify to remove the Reckless-specific elements to make this more generally singable for other groups.

An obscure Cole Porter tune that moves between minor and major quite a bit in the beginning, but feels plenty 'shoppy in the chorus. Kind of a catchy riff in the melody line.

From the Broadway show "Book of Mormon". Softened some of the show-specific lyrics. Features lead as the "hero" and the bari as the "sidekick".

Contestable uptune of the Peter Pan classic song. Big intro and tag

A contestable version of the Josh Groban classic. Exclusive to Up All Night through July 2017.

Inspired by the Sinatra classic, with both Nelson Riddle and Basie influence. Jazzy yet rich with juicy barbershop chords.

Uncle Kracker song - catchy lyrics and a happy message

From the Broadway show, "The Secret Garden". A beautiful, heart-wrenching ballad.

Beautiful, rangy swing ballad performed by Nat King Cole, Glenn Miller orchestra, and others. Contestable.

From the Broadway show, "Promises Promises". This version was inspired by Kristin Chenoweth's treatment of the song, with splashes of Kurt Elling and Luther Vandross. Heartwrenching ballad. Exclusive to Throwback for as long as they compete with it.

Sets up the song from the perspective of a friend telling another friend the difficult truth about her relationship: he doesn't love you in the same way you love him.

Medley for New England Voices in Harmony. Not available until they're done with it.

From the Broadway show "Little Women", performed in the original cast by the amazing Sutton Foster. This song is about a person deciding to live into the possibility of being Astonishing, and how their life can change because of it. This song is exclusive to Sirens of Gotham through April, 2019 as part of their Harmony Classics gold medal performance from the 2018 Sweet Adelines International competition.

From Anything Goes. Includes jazzy reprise and improvised final chorus, similar to 2011 Broadway revival version starring Sutton Foster. Exclusive to Barbershop Blend chorus (BinG!) until October 2016

Based on the Frank Sinatra version. Exclusive through summer 2015

Based on the Sutton Foster recording. A wonderful song that talks about how, win or lose, the people are the reason why we go to conventions, and participate in this hobby. Exclusive to Harmony Incorporated through November 2017.

Yes, that one. Faithful to the Barry Manilow iconic performance, telling the story of Lola, Tony and Rico. Exclusive to Moonstruck through the end of 2017.

Inspired by the ABBA disco classic. Lots of propellants to simulate the instruments

Song from the Broadway show "Wicked". Feature song for someone with a huge range. Very difficult.

Inspired by Sutton Foster's treatment of the song. Requires very rangy lead in the tag. Arranged for "Taken 4 Granite"; exclusive to them through November 2016.

Inspired by Sutton Foster's treatment of the song. Requires very rangy lead in the tag. Updated for Viva!

Medley including Got to Get You Into My Life (though this may need to be removed for clearnance purposes), Shining Star, September and Sing a Song. Exclusive to Moonstruck through the end of 2017.

From "Wicked" - contestable version. Lead and Bari featured with melody.

Inspired by the Michael Buble version of the song. Swingy, laid-back but relentless.

From Funny Girl - bittersweet song about always being the comedic foil.

A <5 min version of the Gaither Vocal Band Medley with longer versions of "When We All Get Together" and "Oh What a Time!", featuring solo opportunities

A <3 min medley with three upbeat songs about going to heaven: "When We All Get Togther With the Lord", "Your First Day in Heaven", and "Oh, What a Time!". Includes an optional "one more time!" final chorus

Opener - tried to stay pretty true to the Beatles version ('cept for the tag). Arranged for New England Voices in Harmony (women's chorus). Can easily re-work for men's groups…and I'll add a more Beatles-esque tag. :-)

Powerful lyrical ballad from La Cage Aux Follies which speaks of having the courage and conviction to stand up for being different, unique and true to one's self.

Powerful lyrical ballad which speaks of having the courage and conviction to stand up for being different, unique and true to one's self. Kind of a high level mash-up between the songs, as the lyrics flow nicely between the songs. Exclusive to Northen Blend Chorus through November 2015

This song is not the standard "I believe for every drop of rain that falls" version, nor is it the one from Book of Mormon. This song was written for the 2010 Winter Olympics in Vancouver, and tells an inspirational story about that moment when you take a leap of faith, because you simply "Believe". This is a power show closer for a women's chorus and quartet.

Based on the Patti Page version, with a small dose of Dean Martin swing feel.

Inspirational song, passing on the wishes from one generation to another. Performed by Taken 4 Granite, 2016 Harmony Inc champions, as their swan song.

An upbeat version of this Duke Ellington classic with an ascending chromatic second bridge, leading into a long lead post over the final A section. Also includes a ukelele-inspired intro and a jazz combo interlude. Inspired by Sutton Foster's version of the song. Exclusive to Moonstruck through November 2015.

Heart-breaking ballad from "Wicked". Designed as a baritone voice feature

The great Elton John anthem about believing in yourself and overcoming obstacles.  Originally arranged for Holland Harmony; this is the SSAA voicing.  TTBB voicing also available.  Great audience participation number.

Big time impact closer with a medley from Funny Girl / Glee-inspired. Exclusive to Viva through the end of 2020

Jason Mraz song. Exclusive to Moonstruck during their championship year (2015).

Inspired by the Real Group version. Tenor solo with scat interlude. Very jazzy; very difficult. Requires a tenor soloist with range above the staff, and nimble singers.

Bass feature inspired by the Fleetwood Mac original. Stevie Nicks would be a great barbershop bass!

Yes, that one. Arranged (in a late-night arranging binge) originally for the Von Tramack Family Singers; this version is adapted for a women's quartet. Tried to stay true to the original.

Great swing era tune performed by all of the standard bearers, past and present. This version is largely inspired by the version sung by Frank Sinatra with the Count Basie Orchestra backing him - hard to find better source material than that!

Beautiful, classic Scottish folk song. Simple approach that calls to mind bagpipes and an escalation as it progresses through the song. Exclusive to Moonstruck through end of 2015

Based on the Swingle Singers version. Mostly scat / nonsense syllables, but a chance to insert two syllable names for each member of the quartet and the quartet name in the tag

Beautiful Rogers and Hart tune from "A Connecticut Yankee". This version inspired by the Frank Sinatra interpretation, backed by Nelson Riddle.

Inspired by Dean Martin's vibe with the song. Imagine if Michael Buble were to sing "On the Street Where You Live" - kinda feels like that. Swing groove, with a bass and tenor feature section.

From the Broadway show "Wicked" - show opener for Showcase, 2009 Harmony Queens, Harmony Inc. Exclusive to Showcase until November 2014.

Inspired by the Rockapella version, complete with voiceover. Bluesy treatment with walking bass line

From Wicked - fun number to play off of a lead with tons of personality (like Kathleen from Showcase).

The classic Kermit the Frog ballad about dreaming. It's the Muppets version of Somewhere Over the Rainbow. This version is intended for contest use, but would need to be cleared

A parody about the mixing and mastering magic of reverb on a recording. Complete with reverb vocal effects - the quartet can create reverb in a live setting!

Contestable version of the 1970's Chicago tune. Lots of the original horn licks in the chart.

Blends the Gershwin and R&H versions of songs, both entitled "Shall We Dance". Swing treatment.

From "Waitress" - Sara Bareilles killer song.

From "Once Upon a Mattress" - novelty number originally sung by Carol Burnett.

Beautiful song from "Jekyll & Hyde". Arranged for the Alexandria Harmonizers; women's version exclusive to New England Voices in Harmony through November 2016.

Classic Gershwin ballad. Inspired by Linda Ronstadt version with Nelson Riddle orchestra. Exclusive to Downtown Crossing through fall 2014.

Based on the Bonnie Raitt tune. Includes "voice guitar" solos throughout the piece for each voice part.

A montage of upbeat, sunshine-oriented songs: Walkin' On Sunshine, Good Day Sunshine, Here Comes the Sun, You Are My Sunshine and Bring Me Sunshine. Exclusive to scioto Valley Chorus through 2016

Inspired by the Kristen Chenoweth version of the song. Fun, funny and poignant story about how love can be found in the most unlikely of places. As sung by Taken 4 Granite, 2016 Harmony Inc Quartet Champs.

From the movie musical "Enchanted".  Tells the story of how you know that that special someone loves you.  As sung by the 2018 International Chorus Champions of Harmony Incorporated, New England Voices in Harmony

Absolute killer song from SMASH, sung by Megan Hilty's character. Talks about the struggle of thinking you've finally "won the race", only to find out that they "Just keep moving the line".

"Love by Numbers" medley. Based on an original song by Anders Edenroth of "The Real Group".  Arranged for New England Voices in Harmony (2018 International Chorus Champs, Harmony Inc.)

Hymn to the Sea and My Heart Will Go On. Features tenor, includes sections with 3 parts and a fiddle, and features lead and bari in My Heart Will Go On. Exclusive to Showcase (2009 Harmony Queens, Harmony Inc.).

Beautiful, haunting song from "Mary Poppins Returns". Sung as a lullaby to the Banks children, reassuring them that their Mother is looking over them, even though she's no longer living.

Hendricks, Lambert and Ross jazz classic featuring Annie Ross. Arranged as a Katie Mac feature for GQ. Exclusive to them for as long as they want it

Pretty specific. Arranged for New England Voices in Harmony for their Area 2 "fun night", purple-themed performance.

As told from the perspective of the woman. Includes an original verse. Arranged for Vocality (SAI top 10 from Sweden). Exclusive to them through November 2017

Heart-wrenching Berlin ballads. Uses half of the chorus of "How Deep is the Ocean" as an interlude in When I Lost You. Lots of 9th and long, soft lead post in tag.

Based on the version from "Who Framed Roger Rabbit".

Based on the Beach Boys version. Arranged for Samantha's Collegiate A Cappella Group, Mixed Emotions

From the Broadway show "Book of Mormon". Softened some of the show-specific lyrics. Features lead as the "hero" and the bari as the "sidekick".

The classic, arranged in honor of some friends from Germany who became engaged while singing an improv version of this song

From Dear Evan Hansen - amazing song about knowing, even when feeling alone or desolate, you are not alone, and all you need to do is reach out, and you will be found.  Arranged for the Merrimack Valley Chorus (SAI) with a small group (up to 3 parts), backed by a chorus.  Exclusive through the end of 2019.

Great song by Rachel Platten (Fight Song) about how my world is a Better Place since you came along.  Exclusive to All Fired Up through the end of 2019.

Beautiful religious song, inspired by the BYU Vocal Point rendition

Upbeat pop-rock anthem from Sir Elton John.  Featured in the animated movie "Sing!"

From the Broadway show "Dear Evan Hansen".  Great, upbeat song about trying to tell someone you love them.  Exclusive to After Hours through October 2019.

Based on the interplay between Michael Buble and Barbra Streisand. Arranged for Sweet & Sour as a lead/bari (engaged couple) interplay vehicle

From West Side story. 5-part chart. Intended for a male and female soloist, with backing from a men's bass and women treble clef parts

Based on the Real Group version; modified for the unique talents of Taken 4 Granite

Arranged as a "last call" song for good friends. Arranged for Parkside Harmony and Melody

From the Broadway hit "Dear Evan Hansen". A song about believing you're not alone. Soloist(s) + men's and women's choruses.

Based on The Real Group's treatment of this song. Exclusive to Von Tramack Family Singers until we're done with it.

Arranged for my wife for her birthday. Exclusive to the Von Tramack Family Singers until we're done with it

Song from the Lego Movie, done in the style of an over-the-top barbershop uptune. Features a barbershop tag riff off. Exclusive to New England Voices in Harmony for as long as they'd like it.

From "Frozen" - Anna and Elsa preparing for the coronation ball. Companion piece to "Some Enchanted Evening" for Taken 4 Granite. Exclusive to them for as long as they want it.

From the "Finding Nemo" show at Disney's Animal Kingdom. Has a Beach Boys kind of groove. Exclusive to Four Voices for as long as they want it.

Update of Tom Gentry's chart for Up All Night

Updated version of the Four Under Par medley, arranged by Roger Payne. Exclusive to Up All Night for as long as they want it.

Updated version of Rich Hasty chart prepared for Reveille. Very specific to "Up All Night" - not suitable to other quartets. Exclusive to Up All Night for as long as they'd like. New version includes new songs

Based on the amazing performance by Audra McDonald. Very spiritual, emotional, personal look inside the journey of life. Exclusive to Moonstruck for as long as they'd like

Powerful montage telling the story of a star-to-be's first experience in New York City. Montage originally sung by Sutton Foster (she sang all three songs in the original Broadway shows) from her live concert recording. Exclusive to Taken 4 Granite.

Original song by Jeanne Crowell which speaks to why we sing, and what impact is has on our life. Exclusive to Moonstruck for as long as they'd like.

A la Joe Cocker. A "template" for a lead that has the soul to deliver this song with the interpretive freedom as Joe Cocker did at Woodstock. Exclusive to Up All Night for as long as they'd like

From the Broadway show, "City of Angels". Arranged as a feature for my wife. Very rangy. Exclusive to Taken 4 Granite for as long as they'd like.